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A graduation artwork titled Prayer has become the unexpected star of the 2025 Sichuan Fine Arts Institute (SCFAI) undergraduate exhibition, drawing massive crowds and sparking fervent discussion on platforms like RedNote.
图源:小红书@安琪
偌大的展厅里人头攒动,各色手机、相机全都朝着同一幅画作放下了又举起;“这也太逼真了吧!”“快看那个木纹,感觉摸上去,还会有点磨手”……类似这样的热议,更是一直没有停过。
图源:小红书@一介良方(油画)
《祷》的作者是四川美术学院造型艺术学院油画系2025届毕业生安琪,在小红书上,安琪只发过一个帖子,名字就叫 “我的毕业创作《祷》”。截至8日下午,这个帖子收获的点赞数已经突破23万。
图源:小红书@安琪
这幅作品,首先闯入观众眼帘的是红黄蓝三原色,构成一位在祈祷的女性形象,头上戴着耳机、黄色纱巾和“模特”身上盖着的蓝色纱巾,“模特”的脸则由大家网购时经常见到的气泡膜所覆盖,看不到容貌。
Created by An Qi, a graduating student from SCFAI, the oil painting depicts a woman in prayer. The figure is rendered in striking primary colors — red, yellow, and blue — wearing headphones and draped in yellow and blue gauze scarves. Most notably, her face is entirely obscured by meticulously painted bubble wrap, reminiscent of common packaging material.
遮挡人物面容的气泡膜几可乱真
让无数观众感到惊喜和赞叹的是,作者对 “模特” 手部木纹的细致刻画,对蓝、黄两色纱巾弯曲、褶皱处光影的呈现,以及对气泡膜的描绘,都可以用几乎乱真来形容,不少观众评论一开始以为是照片,视觉冲击力很强,还有网友笑称,“重庆人也有自己的蒙娜丽莎”。
对木头的纹路细节等刻画非常逼真
据上游新闻,安琪解读自己的创作想法时表示,自己通过这幅作品更多是希望提醒大家不要被消费主义迷失,失去了自我。她说,画作中出现的其实都是廉价材料,自己想通过密集堆砌,解构“精致生活”的虚假性。
"Inspired by my own experiences, this piece reflects how the constant flow of information stimulates our desires," An Qi told reporters. "We often buy things we don't need, then regret it — a cycle driven by invisible societal pressures." The intentionally "cheap" materials serve to "deconstruct the illusion of a 'refined life'."
安琪的灵感源自17世纪意大利画家桑索费莱托的《祈祷的圣母》。
布面油画《祈祷的圣母》 图源:VCG
在确定了创作选题方向后,安琪和指导老师围绕画面构图、主题进行了多轮沟通、讨论,整个《祷》的完成前后花了2个月时间。
对在社交平台上的爆红,安琪表示没有想到,“非常感谢大家对这件作品的喜爱,也谢谢大家对我们川美毕业生作品展的关注。” 在安琪看来,大家的热议对自己既是鼓励也是提醒。自己已经考取了川美油画专业的研究生,接下来的学习、创作中会继续努力。
有网友在国外社交媒体上分享并介绍了这一作品,“画作将古典圣母意象与现代消费符号巧妙拼贴:气泡膜‘包裹’面庞,珠宝堆叠如山,木质双手合十祈祷。廉价材料营造出‘精致’的幻象,最终刺破消费主义的泡沫。今天,我们被购物冲动和身材焦虑所困,就如同人类曾一度受制于宗教教条。画作传达的深层信息引人深思,唤起共鸣与同理。”
"The artist collages classical Madonna imagery with modern consumer symbols: bubble wrap 'shrouding' the face, piled jewelry, and wooden hands in prayer. Cheap materials construct an illusion of 'exquisite refinement', ultimately piercing the bubble of consumerism.
Today, we are trapped by shopping obsessions and body anxieties, just as humanity was once bound by religious dogma. The underlying message resonates far more profoundly, demanding our reflection and empathy."
外国网友们纷纷留言表示欣赏,也有人分享自己关于画作主题的感悟。
“真美”
“这很好地体现了艺术对当代生活的反映。”
“教条教导我们道德和行善之道,而购物狂热和对身体的焦虑却让我们自我厌恶,对生活感到不满足。”
此前,一度有消息称该作品已经售出,售价28万。对此,安琪表示确有此事,价格不便透露。“但接下来如果学校等各类展览仍有需要,我会尽力和对方协调,让这幅画可以继续同大家见面。”
While the painting was reportedly sold for 280,000 yuan, An Qi confirmed the sale without revealing the final price and expressed a willingness to loan the work for future exhibitions. The painting's viral fame came as a surprise to the artist.
今年川美毕业展神作层出不穷,以下几个作品也受到了广泛关注。
一件名为《一百个人的孤独》的雕塑作品格外引人注目。远观如同树枝随意堆叠,细看之下,才发现是由一百件风格统一的小人物黏土上色作品构成,整体完成度很高。
Other standout pieces at the exhibition include a sculpture that, at first glance, resembles a tangled mass of branches but upon closer inspection reveals itself to be composed of one hundred intricately detailed and uniformly styled miniature clay figures.
苗佳蔚作品《一百个人的孤独》
雕塑作品《一百个人的孤独》由一百件风格统一的小人物黏土上色作品构成
木雕作品《木糖纯》同样令人惊艳。若不细看,几乎难以察觉它是以木头精雕而成。
徐思琪作品《木糖纯》
无论是包装的纹理还是色彩的还原,都十分逼真,整体造型丰富,色彩搭配协调,具有强烈的视觉冲击力。
Another standout is a wood carving so astonishingly faithful in replicating the texture and vivid color of product packaging that it challenges perception, making many viewers initially mistake it for the real thing.
来自造型艺术学院的毕业生简珊珊用便利贴“折”出了一个“学院奖”。整个《叠愿》作品分为许愿墙、吉祥柱和祈福造型3部分。
简珊珊作品《叠愿》
仔细看每一部分都由无数个微型的三角插拼接而成。“大概花了30多万张便利贴,我发动了亲朋好友大概20多个人,先后折了两个多月才完成。”简珊珊说,作品的构思其实很简单,就是想表达祝愿、祝福。“所以,我也让亲友们在某些便利贴上写上了自己想说的祝福话。”
Adding a dimension of vibrant color, the installation by Jian Shanshan, utilized over 300,000 folded sticky notes to construct a large-scale wishing wall, a pillar, and symbolic prayer-like forms. The artist enlisted the help of more than 20 friends and family members, who spent over two months folding the notes — many of which included handwritten personal blessings.
写满心愿的三角插 图源:封面新闻
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来源:界面新闻 红星新闻 上游新闻